This is 'From the Week of Hell '94', a monoprint by Tracey Emin from 1995. The piece is a stark diary entry: Emin puts herself in the center, literally a headless body lying beside a scratchy figure, and a crude diagram of a womb being emptied. It captures the raw aftermath of a week she describes as a "week from hell" in 1994—dentistry, a breakup, and an abortion. Her line work is quick and scratchy, matching the immediacy of her monoprints, and the text is almost like a breathless thought stream. Emin says her art is not about making pretty objects but about communicating, even when that means confronting pain. This print feels like a cleansing, a raw confession that pulls you into the emotional core of her experience. It’s a powerful reminder of how personal trauma can become universal through art.
From the Week of Hell ‘94 is in the collection of Tate Modern on Bankside, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.